multijimbo

As the end of the year approaches, I’m also getting close to the end of the novels of Vonnegut.  But there is still the non-fiction and the short stories, and so I’m fairly sure that I won’t finish all of Vonnegut in 2018.  We’ll see though how far I can get.

Galapagos has some interesting features.  It purportedly takes place (exactly) a million years in the future, though most of the story is told as a flashback by the narrator.  The narrator is Leon Trotsky Trout, the son of an oft-appearing character in Vonnegut’s novels, the science fiction writer Kilgore Trout.  Actually, the narrator is Leon Trout’s ghost, who was bound to the Bahia de Darwin, the ship that shipwrecked on the (fictional) island of Santa Rosalia in the Galapagos archipelago, and a ship on which he had died during its construction.

It’s a good read, and one of the main directions of speculation undertaken by our narrator is the extent to which humanity’s big brains are the cause of all of our ills.

This comes through clearly in quotes such as ‘That, in my opinion, was the most diabolical aspect of those old-time big brains.  They would tell their owners, in effect, ‘Here is a crazy thing we could actually do, probably, but we would never do it, of course.  It’s just fun to think about.’ ‘  This quote is taken from Chapter 9 of Book 2, wherein Leon is musing about his observation that once we had a crazy idea that was possible, that idea would then drive us mad until we undertook it.

I have to admit that this particular line of reasoning does strike a chord at the moment, given the politics in play in the UK regarding Brexit, which seems to fall into this category of ideas that are simply mad, given the harm and damage that will result even in the most optimistic of scenarios, but are nonetheless idea that has come to transfix a nation.

But enough of politics.  One thing I did note in my reading is that Leon Trout is remarkably sane for a narrator that has been watching the last vestige of humanity live out their lives on one small island.

Ah yes, I forgot to mention to apocalyptic nature of this particular novel.  Human civilization collapses under the stress caused by two separate and as far as I can tell, unconnected events.  One is the realization that money in its current incarnation, as a fiat currency unsupported by a physical underpinning such as gold (my reading, not something explicitly mentioned in the novel), is just an illusion and the world then suffers an economic meltdown the likes of which we have never seen.

The other is a fertility crisis, namely a bacterium that devours human eggs and thereby renders reproduction impossible, except for the isolated inhabitants of Santa Rosalia.  Neither of these apocalypses are explored in any significant detail, though the latter apocalypse of a (generalized) fertility crisis, has shown up in other setting such as Children of Men (though I don’t see an explicit connection between this and Vonnegut).  And economic dystopia are becoming a standard setting for fascinating reads.

So yes, I suppose I want more apocalypse, but that was not to be.  That wasn’t the book I was reading.  I have a chance of finishing the last 3 novels this year and then the rest during January, at which point I can properly begin the reading project for 2019.  But more on that later.

Posted in bizarre and random things

So here’s a weird thing. I’ve always enjoyed watching professional wresting, though I don’t view that in itself as a weird thing. It’s popular for a reason, and part of that reason is that the basic storylines are the sorts of stories we like to watch.

I’ve been thinking a lot about story and our oldest stories. This is sparked by articles like the recent Atlas Obscura article, which are very much the sort of article that appeals to me and sparks my curiosity.

But the connection I made was not between professional wresting and the stories we tell from the stars. Rather, the connection was between professional wresting and the Commedia dell’Arte. Both after all are performances that are based around types, though I’ll admit it’s been some time since I’ve done any serious reading about the Commedia.

And this then starts to spark off other thoughts. To what extent are we bound by the types of characters in the stories we tell each other, and to what extent are our stories bound by these types.

Because this would shape all sorts of things. We are story telling creatures. We have always told each other stories. We have told each other stories to explain the world around us. We have told each other stories to chase away the beasts that prowl around in the night.

We have told each other stories to structure and pass along facts about the world expensively gained over time.

And what are the stories we are telling each other now. I recognize that I have drifted a bit off topic, but I’ve decided to follow the thought. We have started focusing our attention, not on the stories about the world as it is, but rather the stories we are comfortable with.

Perhaps one of the functions of story telling is to pass along the uncomfortable truths about the world. That, as we as mathematicians have learned to our benefit and interest over time, the world does not always bend to our will, however much we wish that it would.

And so this has sparked a project for the year to come. Let’s read the old stories. The oldest stories. And let’s start to explore the connections between these old stories and see where that takes us.

Posted in bizarre and random things

Earlier this week, Tuesday I think, I noticed something that I’d noticed many times before, but this time it sparked a question it hadn’t sparked before.

Winter is working its way towards us and so the sky was clear and the moon hung almost perfectly full, with only a slight fuzziness on its left hand side.  I’d noticed this fuzziness before but I realized I didn’t know whether the moon was waxing towards full in the next night or two, or whether the moon had just been full and was now waning.

I realized then the extent to which I’d lost the night sky.  I can remember being on camping trips as a kid, either family trips or as part of the local Boy Scout troop, looking up at the sky.  But for the past couple of decades I’ve lived in or near cities, and so it’s only the light of the moon, the planets and the brightest stars that survives the trip.

And that’s when I started to speculate.  And one thing I know is that others have speculated along these lines, and so one task for the new year is to go and see what they’ve written about all of this.

Go back far enough and the night sky was the television and the internet of the age, and perhaps a bit more.  Everyone had access to the night sky, and one question is whether we’ll be able to unpick how much of our mythology is tied up in our observations of the night sky, the movement of the planets, the precession of the equinox.

Just how observant were our distant ancestors and what mechanisms did they have for preserving their observations, before we had the written word?

And this is part of the difficulty.  Oral histories disappear with the people who are no longer around to tell their stories, and I don’t know what work’s been done, or can be done, to try and catch the echoes of these old stories in the stories we currently tell each other.

What I think is an even more interesting subject of speculation is, what were the stories our cousins, the Neanderthals and the Denisovians and all the others, were telling each other around their fires.  How did they see the night sky.  What for instance did they think of the planets, moving through the stars night after night, as though engaged in some grand quest?

And the big question, to which the answer is almost certainly no.  Are there any echoes of these cousin stories in our own myths and stories?  And how would we know?

Posted in bizarre and random things